Washington Winter Show 2018

51 2. A list of manufacturers can be found in A. W. Coysh and R. K. Henrywood, The Dictionary of Blue & White Printed Pottery, 1780–1880 (Antique Collectors Club, 1982), p. 402. 3. Charles Caleb Colton, Lacon: Or, Many Things in Few Words: Addressed to Those who Think (Longman, Orme, Brown, Green, and Longmans, 1837), p. 113. 4. The vocal score for Hood and Cook’s opera can be found online at the Gilbert and Sullivan Archive at: http://www.gsarchive.net/companions/ willow/index.html 5 . Sarah Tarlow, The Archaeology of Improvement in Britain, 1750–1850 (Cambridge University Press, 2007), p. 179. 6. M. C. Beaudry, L. J. Cook, and S. A. Mrozowski, “Artifacts and Active Voices: Material Culture as Social Discourse” in Images of the Recent Past: Readings in Historical Archaeology , ed. Charles E. Orser (Altimira Press, 1996), p. 292. 7. James Madison to James Maury, January 5, 1819. The Papers of James Madison Digital Edition, ed. J. C. A Stagg (University of Virginia Press, Rotunda, 2010). http://rotunda.upress.virginia.edu/founders/JSMN-04- 01-02-0352 [ac cessed 07 Nov 2017]. 8. Thomas Chippendale, The Gentleman and Cabinet Maker’s Director (London, 1754). 9. Robert A. Leath, “‘After the Chinese Taste’: Chinese Export Porcelain and Chinoiserie Design in Eighteenth Century Charleston,” Historical Archaeology , vol. 33, no. 3 (1999), pp. 48–61. 10. Nigel Raffety, The Three Georges: Clockmaking in Hanoverian England, 1714–1820 (Raffety Clocks, 1999), p. 12. 11. The Grove Encyclopedia of Decorative Arts, vol. 1, ed. Gordon Campbell (Oxford University Press, 2006), p. 239. 12. Catherine Lynn, Wallpaper in America: From the Seventeenth Century to World War I (W.W. Norton & Company, 1980), p. 99 and passim. 13. Advertisement in the Maryland Gazette , March 5, 1761. As cited by Margaret Beck Pritchard in “Wallpaper,” The Chesapeake House: Architectural Investigations by Colonial Williamsburg , ed. Cary Carson and Carl R. Lounsbury (The University of North Carolina Press, 2013), p. 382. 14. The Chinese Dining Room wasn’t the earliest chinoiserie room at Buckingham Palace; Queen Charlotte had several rooms of Buckingham House and Windsor Castle decorated in the style. These rooms were recorded in W. H. Pyne’s 1819 History of the Royal Residences . See also Henry David Roberts, “A History of the Royal Pavilion, Brighton: With an Account of Its Original Furniture and Decoration,” Country Life, 1939, p. 138. 15. Horace Walpole to the Earl of Strafford, July 5, 1761 in The Letters of Horace Walpole: Fourth Earl of Orford , vol. 3, ed. Peter Cunningham (John Grant, 1906), p. 410. 16. Jack McLaughlin, Jefferson and Monticello: The Biography of a Builder (Macmillan, 1990), p. 330. 17. Both titles appear in E. Millicent Sowerby’s Catalogue of the Library of Thomas Jefferson; Compiled with Annotations by E. Millicent Sowerby , Library of Congress, 1952–1959. For additional information, see the digital catalog of Jefferson’s library on LibraryThing compiled by staff at the Thomas Jefferson Foundation Library. 18. Gardiner Hallock, “Jefferson’s Terrace Railings to be Reconstructed.” Blog post published March 3, 2016: https://www.monticello.org/site/blog- and-community/posts/jefferson’s-terrace-railings-be-reconstructe 19. George A. Kemeney and Donald Miller, Tiffany Desk Treasures: A Collector’s Guide Including a Catalogue Raisonné of Tiffany Studios and Tiffany Furnaces Desk Accessories (Hudson Hills Press, 2002), pp. 61–64. 20. For more on Draper’s project at Arrowhead Springs Hotel, see Donald Albrecht, The High Style of Dorothy Draper (The Museum of the City of New York, 2006), pp. 48–57. Fig. 7: The dining room of the Arrowhead Springs Hotel in 1940. Maynard L. Parker, photographer. Image Courtesy of The Huntington Library, San Marino, California.