CRN Auctions - Collections and Estates Auction - June 2021

CRN AUCTIONS-COLLECTIONS AND ESTATES AUCTION 15: (on 2) attrib. PIERRE BONNARD (French, 1867-1947) and USD 400 - 600 street view with cathedral, vaguely sgn. l.r. B.., charcoal on paper, 7 by 5 in.; matted, framed under glass 11.5 by 13.5 in.; label on reverse attrib. to Bonnard; along withWilliam Monk, Sunday at Hampstead Park the preliminary sketch and the final etching framed as onetitled and dated l.r. HAMPSTEAD/18-MONK-99image 6.75 by 9.75 in.; matted, framed under glass 24 by 17.25 in. From the collection of a Beacon St., Boston gentleman, purchased Phillips Auction, NYC in the 1980's. The Monk purchased Phillips Auctions, New York in the 1980's. 16: JENO GABOR (Hungary, 1893-1968) USD 3,000 - 5,000 three fisherman pulling boat ashoresgn. l.r., Gabor J....; o/c; 36 by 46 in.; framed 41.5 by 52 in. 17: EMIL CARLSEN (American/ New York/ Denmark 1848-1932) USD 1,000 - 1,500 woman collecting wood in Wintersgn. l.l, Emil Carlsen..., o/c, stamped on back of canvas and old gallery sticker on stretcher; 30 by 40 in.; framed 36 by 45 in. 18: (on 3) SUSAN RICKER KNOX (American, 1875-1959) USD 600 - 900 all three depicting gatherings of women wearing babushkassgnd. u.r., SUSAN RICKER KNOX, o/b; two measure 14 by 17.75 in, framed 16.5 by 20.5 in.; the third, 14 by 17 in, framed 16.75 by 20 in. 19: (on 2) SUSAN RICKER KNOX (American, 1875-1959) USD 800 - 1,000 arrival at Ellis Island; the other, women wearing babushkas peeling potatoes, titled on back in pencil JEWISH HOKIE NYC, both appear unsigned, however, faded, illegible writing on reverse of Ellis Island; o/b, 16 by 20 in.; framed 18.5 by 22.5 in. 20: JAMES WINES (New York/Illinois, b. 1932) SCULPTURE USD 300 - 500 disksgn. Wines, 62/100, bronze with brown patina on stainless steel basedisk 9.5" diam.; 12.5"h incl. chrome stand. 21: RENATO MEZIAT (Brazil, b. 1952) PHOTO-REALISM USD 5,000 - 8,000 A Perfect Day, woman on beach, Rio de Janeiroo/c, 39 by 55.5 in.sgn. l.r. Meziat; also sgn., dated Maio/2002, and titled on reverseAlong with Mauricio Pontual Galeria de Arte, Rio de Janeiro 2003 gallery exhibition catalogue 'The Realism of Meziat'(in which this painting is pictured). From the collection of a Beacon St., Boston gentleman who met his wife in Brazil. Meziat belongs to the photo-realism movement which came to public attention in New York City by artist Louis Meisel in the 1960's. Meziat began his artistic career as a musician, training at the Berklee College of Music in Boston. Returning to his native Rio de Janeiro, by 1976 he dedicated himself full time to painting and has achieved rapid recognition.