Neal Auction Important Estates September 2015

Additional information at www.nealauction.com 155 1105. [Art Reference Books] , 35 books and exhibition records incl. The Worldwide Bibliography of Art Exhibition Catalogues, 1963‑1987 , 3 vols, Kraus International, 1992; A. Graves, A Century of Loan Exhibitions, 1813‑1912 , 3 vols, 1970; J. Meyer, Great Exhibitions, 1851‑1900, 2006 ; Revisiting the White City, American Art at the 1893 World’s Fair , Smithsonian Institution, 1993; Perkins and Gavin, Art Exhibition Index, 1927‑74 , The Boston Athenaeum, 1980; and others. $200/300 1106. [Art Reference Books] , 25 books incl. C. Dezobry, ed., Dictionnaire generale, Biographie et D’Histoire , 2 vols, 1883; McGraw Hill, Dictionary of Art , 5 vols, 1969; G. Vasari, Lives of the Painters, Sculptors and Architects , 2 vols., 1996; Bryan’s Dictionary of Painters and Engravers , 2 vols, 1886; A Dictionary of Painters, Sculptors, Architects, and Engravers , 1810 (2 copies); F. Gardner, The Painters Encyclopedia , 1901; H. Tuckerman, Book of the Artists, American Artist Life , 1867; Black’s Dictionary of Pictures, A Guide to the Best Work of the Best Masters , 1921; J. Canaday, T he Lives of the Painters , 4 vols., 1969; and others. $200/300 1107. [American Art Reference Books] , 60 books incl. P. Cummings, Dictionary of Contemporary American Artists , 1977; D. Dawdy, Artists of the American West , 3 vols, 1980; Essays on American Art and Artists , 1896; J.G. Huneker, Americans in the Arts , 1890‑1920, 1985; Art of the United States Capitol , 1976; D. Goddard, American Painting , 1990; W. Craven, Colonial American Portraiture , 1986; G. Groce and D. Wallace, The New York Historical Society’s Dictionary of Artists in America , 1957. Who Was Who in American Art: 1564‑1975 , P. Hastings ed., 3 vols, 1999. $300/500 1108. [Art Reference Books] , 40 books incl. Art Index , October 1932‑September 1935 and October 41‑September 1944 (vol 5), Art Index , November 1950‑November 1991 (vols 8‑40, 33 missing); The Cosmopolitan Journal , December 1858; The Art Journal , Appleton, vol I, 1869; The Art Journal , Appleton, vol I, 1875; The Art Journal , Appleton, 1910; C. Cook, Art and Artists of Our Time , vol II, 1888; Rapports du Jury Internationale, Exposition Universelle de 1900 . $300/500 1109. Patinated Bronze of “Paleolithic Man” , after Frederic Sackrider Remington (American, 1861‑1909), cast signature and copyright mark at edge of self base, square green marble base, h. 16 in. $300/500 1110. Three Modern French Prints, Aristide Maillol (1861‑1944) , “Market”, artist stamp and numbered “7/100”, 5 in. x 5 in.; Georges Lambert (1919‑1998), “Fall Landscape”, pencil‑signed and numbered “169/175”, 22 1/4 in. x 30 in.; Raoul Dufy (1877‑1953), “Untitled”, lithographic bookplate, initialed in plate, 9 7/8 in. x 6 7/8 in., each framed. $400/600 1111. Karl Schrag (German/ American, 1930‑1995) , “Night Sky ‑ Deer Isle”, 1985, color lithograph, pencil‑signed, titled, dated and numbered “6/40” lower margin, sight 24 1/2 in. x 19 in.; together with Johnny Friedlaender (German, 1912‑1992), “Friedlaender Exhibition Poster”, engraving, pencil‑signed lower right, inscribed “To John Weinstock” lower left, 25 3/4 in. x 15 5/8 in., both framed, (2 pcs.) $200/300 Provenance: Joel N. Weinstock Collection, New Orleans. 1112. Four American Artworks on Paper , Thomas Browne Cornell (American, 1937‑2012), “Pig”, 1974, etching, pencil‑signed lower right, numbered “16/75”, 5 3/4 in. x 7 3/4 in.; James Milton Meade (American/ Mississippi, 20th c.), “Rocky Shore”, watercolor on paper, pencil‑signed lower right, sight 10 1/2 in. x 7 in.; Jack Perlmutter (American/Washington D.C. 1920‑2006), “Park”, reproduction print, pencil‑signed, titled and embossed “JP” stamp lower margin, sight 9 3/4 in. x 14 1/2 in.; Barbara Putnam (American, 20th c.), “Glyceria Striata”, 2002, woodcut on Japanese rice paper, pencil‑signed, titled, dated and numbered “2/14” lower margin, sight 12 1/2 in. x 12 in., all framed, (4 pcs.) $400/600 1113. Three Modern Prints , Jacques Hnizdovsky (Ukrainian/American, 1915‑1985), “Eagle”, 1968, woodcut; Sergio Gonzalez‑Tornero (Chilean, b. 1927), “Cool World”, 1966, artist proof etching; Ernest Posey (American/ Louisiana, 1937‑2007), “Isotropic Expansion”, 1976, color screen print, each signed, dated and titled, one numbered, 16 1/2 in. x 13 3/4 in. to 26 3/4 in. x 36 3/4 in., each framed, (3 pcs.) $300/500 Provenance: Collection of Artist Charles Fritchie (b. 1936), New Orleans, LA. 1114. Sir Francis Seymour Haden (British, 1818‑1910) , “Evening”, 1864, etching and drypoint, mounted on artist board, third state (of 3), pencil‑signed, signed and dated in plate, sheet 6 in. x 3 3/4 in., unframed; together with Federico Castellon (American, 1914‑1971), “Abstraction : Madrid”, 1934, color print, signed, titled and dated en verso, sheet 11 1/2 in. x 9 1/2 in., unframed, (2 pcs.) $150/250 1115. Doyle Gertjejansen (American/New Orleans, b. 1948) , “Rough Zones”, 1994, etching on paper, pencil‑signed, titled and dated lower margin, sight 10 in. x 11 in.; together with Ernest Noel Posey (American/New Orleans, 1937‑2007), “Scintillae”, 1994, hand‑colored etching, pencil‑signed, titled and dated lower margin, artist proof, sheet 12 in. x 12 in., both framed. (2 pcs.) $300/500 1116. Simon Gunning (Australian/Louisiana, b. 1956) , “Resting Rhino”, 1983, screenprint on paper, pencil‑signed, dated and numbered “16/50” lower center, 13 1/2 in. x 22 in., framed. $200/300