Tom Veilleux Gallery 2012

Additional information regarding works of art in this catalogue Charles Burchfield (1893–1967) Patriot’s House (1917) 16" x 21¾" watercolor Signed and dated lower left Provenance: Frank K.M. Rehn Gallery, New York Private collection Michael Rosenfeld Gallery, New York Private Collection, acquired from the above, 1989 Exhibitions: Boca Raton, Florida, Boca Raton Museum of Art, American Modernism: Paintings from the Dr. and Mrs. Mark S. Kauffman Collection, November 19, 2003–January 18, 2004. Tampa, Florida, Tampa Museum of Art, American Modernism from the Collection of Dr. and Mrs. Mark S. Kauffman, January 8– February 27, 2011. Literature: Boca Raton Museum of Art, American Modernism: Paintings from the Dr. and Mrs. Mark S. Kauffman Collection, Exhibition catalogue, Boca Raton, Florida, 2003, pp. 38, 68, no. 11. Guy Pène du Bois (1884–1958) After the Opera (1917) 12¼" x 9¼" oil on board Provenance: Casson Galleries, Boston, MA Private Collection, Massachusetts By Descent Marsden Hartley (1877–1943) Two Gulls (1940–41) 8¾" x 20½" oil on board Provenance: Paul Rosenberg & Company, New York Adele Rosenwald Levy and Dr. David M. Levy Mr. & Mrs. Philip Stern (Mrs. Levy’s nephew) By descent The painting Two Gulls has been examined in person and authenticated by Dr. Gail Levin and will be included in the Marsden Hartley catalogue raisonné. George Luks (1867–1933) Purple Hills (1927) 14" x 20" watercolor Signed and dated lower left Provenance: Doll & Richards, Inc., Boston Private Collection, Cohasset, Massachusetts By descent from the above Paul Manship (1885–1966) Young Minerva (Marietta) (1911) 13" x 6½" x 6½" bronze, edition of 6. Signed on base, Paul Manship, and stamped with the foundry mark of Roman Bronze Works, New York Provenance: Kennedy Galleries, Inc. New York Private Collection, Colorado, 1983–present Literature: Fine Arts Journal, vol. 33 (October 1915), p. 431, illustration of another cast. Edwin Murtha, Paul Manship, New York: The MacMillan Company, 1957, p. 149, no. 17. John Manship, Paul Manship, New York: Abbeville Press, 1989, no. 35, illustration of another cast. Young Minerva (later called Marietta, after the model) was one of eight bronzes that Manship created in Rome and exhibited February 1913 at the American Academy in Rome Exhibition held at the Architectural League in New York. These pieces were also exhibited in 1915 at the Art Institute of Chicago and The Detroit Museum of Art. Kenneth Hayes Miller (1876–1952) Shop Girl (1946) 21" x 16" oil on canvas Signed and dated upper right Provenance: Private Collection Exhibition: New York, National Academy of Design, 119th Annual Exhibition, March 14– April 3, 1945, no 104 (as Portrait of a Young Woman ). Elie Nadelman (1882–1946) Bust of a Woman (c. 1925–26) 32½" x 17" x 12" galvano-plastique Provenance: By direct descent in the artist’s family Literature: Haskell, Barbara, Elie Nadelman: Sculptor of Modern Life, Harry N. Abrams, Inc., Publishers, New York, 2003, illustrated pp.167. Nadelman, Cynthia, Elie Nadelman, Galvano- Plastiques, The Studley Press, Dalton, MA, 2001, illustrated, plate 5. Exhibitions: Whitney Museum of American Art, New York, Elie Nadelman, Sculptor of Modern Life, April 3–July 20, 2003. Elie Nadelman (1882–1946) Ideal Head (c. 1910–11) 14½" x 10½" x 8½" marble Provenance: By direct descent in the artist’s family Marguerite Zorach (1887–1968) Moon Over Brooklyn (1964) 28" x 38 oil on canvas Signed and dated lower right Provenance: Private Collection Marguerite Zorach (1887–1968) Two Sisters – Marguerite and Her Sister Edith (1921) 30" x 25" oil on canvas, signed and dated lower right Provenance: By direct descent in the artist’s family